More original music from Michael and Maureen

More original music from Michael and Maureen

Is anyone else in the class composing and performing original music?   How about all the folks who serenaded us at the 50th — Classmates In Concert: Drost, Zamcheck, Bicknell?    How about all you veterans of those wonderful acapella singing groups we enjoyed in the ’60s?

Michael Folz (who’s recovering from kidney replacement surgery!) and his wife Maureen have mastered a new piece of recording equipment and have created three new songs.  Check ’em out!  And here’s a playlist of all three songs.

Self-censorship by Fear, or by Seduction?

Self-censorship by Fear, or by Seduction?

Note: In 2012 I gave a talk to a group of Yale undergrads who gathered at the Yale War Memorial on Beinecke Plaza — about how liberal education, especially at elite institutions such as Yale, finesses but sometimes clarifies the difference between self-censorship that’s prompted by fear of a state, of corporate employers, and of other authorities versus a kind of self-censorship that’s prompted by the seductions of power, i.e., by calculating that …

Recording From Class Colloquium 18: Klebanoff, Publishing

Recording From Class Colloquium 18: Klebanoff, Publishing

A few dozen classmates joined Host Art Segal and guest Art Klebanoff for a mid-summer afternoon Zoominar on “publishing,” as seen through the eyes of Art Klebanoff’s career as lawyer, agent and publisher.  See Class Colloquium 18: Klebanoff – Publishing,  “A Life in Publishing: 50 Years Spent Bringing the Facts of Life into Focus” for details on the program and Klebanoff’s bona fides.

Without further ado, here is the recording of the conversation:

Robert Horvitz’ (Ed.) Book Added to “Best Books of 2023”

Robert Horvitz’ (Ed.) Book Added to “Best Books of 2023”

Robert Horvitz worked as editor/translator on a beautiful book that was recently published, An Older and More Beautiful Belgrade: A Visual Chronicle of the Milosevic Era. It was named one of the best books of 2023 by Barnes and Noble.

Click through to see a superb summary of the book and get your copy of the book, which Robert has generously provided to those interested.

Class Colloquium 18: Klebanoff – Publishing, July 11, 2 pm EDT

Class Colloquium 18: Klebanoff – Publishing, July 11, 2 pm EDT

Join in a Class Colloquium featuring Art Klebanoff, who is still trailblazing new business models in the world of publishing. He shares his incredible journey in the thick of the NY publishing world and shares some observations about publishing today. Would-be authors and ALL readers will appreciate this look under the hood. Register now

Update:  Who is writing a memoir?

Update: Who is writing a memoir?

Update: With the impending Class Colloquium talk by Art Klebanoff, we are 1) issuing a “second call” for those people interested in writing their personal stories (see below), and 2) huddling as a group on a Zoom call on the day before Art’s talk — July 10th. Several people (listed below) have indicated an interest. 

Please click on this Doodle poll to indicate which hours you are available.  On Thursday, July 6, we’ll select the best time and confirm.

Announcing a new section — “Works”

Announcing a new section — “Works”

Increasingly, classmates are creating really interesting essays, music, paintings, presentations, playlists, plays, podcasts and other creations we are calling “Works” (as in “works of art”).

Coupled with the existing categories of Op-Eds and Books, this website can serve as a display case where classmates can share their “Works” with classmates.  Hopefully, the viewers, readers, listeners, etc. will give some feedback in the comments.

Eliot Norman, Chopin and The Joy of Music

Eliot Norman, Chopin and The Joy of Music

On May 16th, Classmate Eliot Norman shared his journey, moving from ‘one form of practice (law) to another (piano)‘ as his primary retirement activity. Organizing his remarks around Chopin’s astonishing Prelude No. 24, “Of Blood. Of Earthly Pleasure … of Death,” Eliot wove together Chopin’s personal journey and Eliot’s own. In truth, Eliot has played…